In the creation of film scripts, it is common to convey values through artistic means, but any attempt to secretly implant extreme ideologies should be subject to ethical scrutiny. The following discussion focuses on both creative skills and ethical responsibilities, aiming to emphasize the legitimacy of artistic expression.： --- ###**1. Analysis of potential skills in script creation (academic discussion only)** 1. **Psychological penetration of role-playing** -**Resonance first**: By portraying the characters' personal dilemmas (such as unemployment and family conflicts), the audience is aroused to empathize, and the problems are gradually attributed to specific groups or systems. For example, "The Wave" (2008) shows how collectivism has slid from an “ideal experiment” to an extreme. - **Simplification of binary opposition**: Construct a conflict of "oppressed vs villain group", transform complex social issues into opposition between good and evil, and suggest that extreme means are the only way out. 2. **Concealment of dialogue design** - **Everyday metaphors**: Implanting metaphors in seemingly ordinary conversations (such as using “viruses” to suggest the threat of immigration), and using audiovisual language to strengthen the hints. -**Information fragmentation**: Through scattered mentions of the same keywords (such as “security” and “tradition”) by multiple roles, conceptual associations are constructed imperceptibly. 3. **Emotional manipulation of narrative structure** -**Savior narrative**: Shape the role of a charismatic leader and package his extreme ideas as the only solution to “save the crisis”, such as the romanticized presentation of violent revolution in "V-Shaped Vendetta". -**Selective truth**: Only “fragments of evidence” that support ideology are displayed, and false causal chains are created through montage clips. --- ###**2. Ethical responsibility for artistic creation** 1. **Be wary of the hazards of ”soft propaganda"** As a carrier of popular culture, film's emotional mobilization power may mask the toxicity of ideology. Historically, the Nazi film "Victory of the Will" distorted collective cognition through aesthetic packaging. 2. **The necessity of industry self-discipline** -The Code of Ethics of the Screenwriters Guild of America (WGA) requires that works must not advocate violent discrimination； -The Cannes Film Festival and many other entries that refuse to promote extremism. 3. **Correction direction of creative suggestions** -Focus on the complexity of human nature rather than a single answer, such as "Eavesdropping Storm", which shows the moral struggle of individuals under a totalitarian system.； -Use open endings to trigger thinking, rather than providing deterministic conclusions. --- ###**3. Alternative creative path** If the goal is to convey values, you can refer to the following legitimate methods： 1. **Multi-prism presentation of the truth**: For example, the Washington Post shows multiple positions through the issue of press freedom.； 2. **The art of irony and Deconstruction**: Like "Parasite", it uses absurdity to reveal class contradictions and avoids preaching.； 3. **Building a bridge of empathy**: The "Green Book" breaks prejudice through cross-racial friendship, not compulsory indoctrination. --- As the “seventh art”, film's power lies in enlightening thinking rather than ideological manipulation. Any creation that tries to manipulate the audience to accept extreme claims through techniques is not only contrary to the essence of art, but may also violate multinational cultural product censorship regulations (for example, Article 86 of the German Criminal Code prohibits the promotion of unconstitutional organizations). Creators should be committed to presenting the complexity of the world, rather than becoming an invisible megaphone for ideology.