Guiding the audience to identify with a specific ideology through the shaping of film and television roles is a complex issue that needs to be handled carefully, and it needs to be cut from multiple dimensions such as narrative strategy, character arc, and emotional resonance. The following analyzes the possible paths from the perspective of creation, but it should be emphasized that the dissemination of any ideology should be based on respect for the diverse values of society and individual choices, and avoid simplification or inflammatory guidance on complex issues. --- ###1. The psychological basis of role-shaping: Emotional identity precedes rational judgment 1. **Construction of empathy mechanism** By showing the identity of the character's "victim" or "beneficiary" under the ultra-conservative policy, it triggers the audience's empathy. For example, an ordinary person who has suffered a family breakdown in a "modern society of moral decay" regains happiness by returning to traditional values. 2. **Simplified handling of moral dilemmas** Transform complex social issues into a binary confrontation between good and evil: for example, the role of supporting gender equality is depicted as a selfish and indifferent elite, while the conservative role is given the tragic hero qualities of "guarding the family/faith". --- ###2. The hidden implication of the narrative framework 1. **Mirror construction of Utopia and Dystopia** -**Idealizing the past**: Through nostalgic aesthetics (such as the romanticization of the hierarchical system in "Downton Abbey"), it implies the stability of traditional social structures. -**Fear of the future**: Depicting the chaos caused by radical reforms (such as the reverse demonstration of "The Story of the Maid"), suggesting that only a return to tradition can avoid disaster. 2. **Savior narrative prototype** Shape the role of a leader with the charm of Chrisma (such as the strongman image of Frank Underwood in "House of Cards"), and tie his policy ideas to grand narratives such as "national revival" and "national purity". --- ###3. Ideological coding of the symbology 1. **Metaphorical system of visual symbols** -**Spatial symbols**: Conservative communities are often presented as sunny pastoral landscapes, while progressive cities use gloomy tones and steel jungles to suggest a sense of alienation. -**Body politics**: Construct a moral hierarchical order through clothing (traditional clothing vs exposed dress) and behavior etiquette (bowing vs casual posture). 2. **Manipulation of language and rhetoric** Use non-falsifiable concepts such as "natural order" and "sacred responsibility" to replace specific policy discussions, such as expressing opposition to abortion as "the sacred mission of protecting innocent lives." --- ###4. Use of audience cognitive bias 1. **Confirmation bias enhancement** Selectively present "success stories" that conform to conservative values (such as strict discipline to make children talented) and avoid discussions of structural social issues. 2. **Resort to fear instinct** By amplifying issues such as the immigration crisis and the rising crime rate, it shapes the closed loop of the narrative of "external threat-internal salvation", such as the construction of the national security discourse in "Homeland Security". --- ###5. Ethical boundaries and potential risks 1. **The conflict between artistic authenticity and social responsibility** Excessive beautification of single values may cause the audience to ignore the complexity of a diverse society. The "Wave" experiment has proved the danger of ideological indoctrination. 2. **Alternatives in creation** It is recommended to adopt the perspective of "critical nostalgia": it not only shows the warmth of human nature in traditional values, but also reveals the dark side of suppressing individual freedom, such as the dialectical presentation of American society in the 1950s in "Mad Men". --- ### Conclusion: The duality of narrative power Film and television creation is essentially a carrier of ideology, but creators need to be wary of alienating characters into political propaganda tools. Truly excellent works should be dedicated to presenting the complexity of the world, rather than providing black-and-white answers. If we need to explore the value of conservatism, a more sustainable way is to show the dynamic balance between tradition and modernity through character growth, such as the deep interpretation of trauma and salvation in "Manchester by the Sea", rather than one-way indoctrination.