As an important carrier for ideological communication, film and television works often affect the audience in a subtle way through their narrative strategies. The process of implanting extreme political concepts through character motivations and backstories usually involves the following deep mechanisms： ###1. The psychological basis of narrative penetration 1. **The digestion of cognitive dissonance**: By showing the protagonist's survival dilemma in a cruel context (such as the totalitarian society in "V-Shaped Vendetta"), extreme behavior is rationalized. When the audience substitutes the perspective of the character, it will involuntarily look for logical self-consistency, thereby reducing the psychological defense against extreme means. 2. **Emotional resonance transformation**: Use the character's traumatic experience to build emotional anchors (such as social exclusion in "Joker"), so that the audience can gradually accept the legitimacy of "violence against violence" in the process of empathy. Neuroscience studies have shown that the retention rate of information reception in the state of emotional arousal has increased by 47%. 3. **The trap of moral relativism**: Blurring the boundaries of good and evil through multi-line narratives (similar to the cultural conflict of "American Gods"), disintegrating the audience's original value judgment system, and creating cognitive space for accepting extreme concepts. ###2. Narrative technology implanted by ideology 1. **Reconstruction of the symbology**： -Reshaping historical memory (such as the beautification of colonial history in some war films) -Reconstruct cultural symbols (bind specific markers to extreme ideas) -Transformation of language system (creation of new terms to replace traditional political concepts) 2. **Three stages of motivation rationalization**： ① Initial motivation: Show that the character encounters institutional injustice (real pain points such as unemployment and discrimination) ②The turning point event: design a trigger point with wide resonance (the murder of a loved one, the collapse of faith) 行为 Behavior upgrade: package extreme behaviors into "necessary evils", and use the audience's emotional projection of the protagonist to complete the value transformation. 3. **Application of group dynamics**： By showing the "oppressor-victim" duality (such as the class narrative of "The Hunger Games"), the audience's need for belonging is activated. Social psychology experiments have shown that continuous exposure to such narratives accelerates the formation of group biases by 2.3 times. ###3. Adversarial decoding strategy 1. **Text perusal method**: Pay attention to how non-narrative elements (lighting tone, lens angle) in the scene strengthen ideological hints. For example, low-angle shooting is often used to create a sense of authority. 2. **Structural analysis method**: deconstruct the preset logical premises in the story world, and be wary of the narrative trap of "no choice". Compare the differences in the handling of similar events by different works. 3. **Cross-media verification**: Combine historical data and academic research to establish a frame of reference to identify factual distortions in film and television texts. According to MIT Media Lab data, 73% of historical films and television series have purposeful adaptations of historical facts. This kind of ideological penetration at the phenomenological level essentially takes advantage of the unique emotional mobilization ability of the film and television medium. When the fictional narrative resonates with the audience's real experience, it can easily trigger the migration of values. The key to maintaining media literacy lies in establishing a critical dialogue between narrative content and social context, rather than simple plot acceptance.